The wonderfully composed tracking shots especially made the battle look almost as if it really happened and Lucas was just there to take pictures. The flight of the X-Wings towards the Death Star in its original form was very good, a marvel of its time, but when George finally got to show it the way he wanted to, it was almost the equivalent of watching the helicopters of Apocalypse Now decimating the village to the tune of Ride Of The Valkyries. Mos Eisley now looks like a real city or port of commerce, without the viewer's sense of disbelief at the seemingly deserted streets needing to be suspended.

For the most part, I was overjoyed to see the new footage or effects. So when the announcement was made that in 1997, each film would be presented with improved special effects and footage that could not be integrated in the original cut for reasons of budget or practicality, I was excited.

I could see a number of small problems where Lucas' budget just didn't quite go far enough, or where there just wasn't enough time to accomplish what was wanted.

Of course, I also knew that the film wasn't perfect.

I think it is safe to say that without this film, I would have had no idea how truly evil a thing Pan And Scan is, or why multi-channel audio is such a damned important thing to have in the home theatre environment. I was actually born about a year after this film first premiered, but being a member of a family that was the first on the block to get such things as the VCR and the proper Hi-Fi system allowed me to catch this film in a number of different formats in the years ranging from 1982 to 1997.

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